Hick, 一個叛逆“朋克”少女的人生岔路口故事,。有意思的點其實很多,但情節(jié)銜接性太差,,以至于影片整體很有些讓人不知所云。艾迪和魯伊看起來太“同齡人”了,,魯伊和格蘭迪看起來又不差個輩分,,這讓有些情節(jié)看起來會很出戲。但這些都不是重點——我之所以給四星是因為電影配樂的選曲太好太好了,。例如片中用的好幾首迪倫的歌:既有三專經(jīng)典的"When the Ship Comes In", 更有只收錄在官方Bootleg的演奏曲"Suze咳嗽歌",,被用作片尾曲的"Farewell"同樣是后來Bootleg才收了的早期歌。影片對于這些好歌的運用也非常巧妙,,你可以想象就著"One of Us Must Know"來的廁所斗毆事件嗎,?這一切在影片中都出現(xiàn)得自然而然??梢哉f全片沒有一首常見或大路貨的選曲,,實在是驚喜。
此間小吉:182.80.122.2
漂亮國死倆學生警察都不介入,,家長就這么接受了,,額。,。,。。人少是有道理的,。,。。。
大齡少女:210.25.225.180
背負著悲傷,,郁郁地活下去,,被生活不停地纏綿,這大概是該劇帶給觀眾拖沓的節(jié)奏感的理解吧
時間在水上:139.208.92.227
Hard to get in at first, but not long after you'll realize it's still the 90s classic body horror Cronenberg, which not just those weird biomechanic machines, but the conflict, rebellion, evolution, so on and so forth. It's definitely the most sexualized Cronenberg movie. Everyone in the film is so obnoxious, but ultra seductive, except the black dude. WTF is that acting? Is that a joke?