Absent father and traumatized honey boy. All he wanted was love, but pain was all he got. The pain you got equals the pain you endure walking out from it. Stella performances. Conflicts between characters were powerful and engaging, the film could end in a better way tho. Some nice night shots there. Also, FKA Twigs was so beautiful in it!
阿巴斯,林奇,野草莓,但最像的是考夫曼自己。其實(shí)有點(diǎn)重復(fù)自我,同紐約提喻法一樣有個(gè)hypochondriac的主人公,同Anomalisa一樣在展示“幻滅”的人生。節(jié)奏上有同紐約提喻法類(lèi)似的觀感問(wèn)題,到后面會(huì)讓人覺(jué)得“怎么還沒(méi)完,怎么又換了個(gè)場(chǎng)景,怎么突然插入這個(gè)好有意思但到底什么意思啊”,somewhat exhausting and excruciating(but see that's the metatextual point, one says)。這里還多了一層就是大量掉書(shū)袋對(duì)話。有些話語(yǔ)其實(shí)了解全局后回頭看第二遍時(shí)是能注意到更多指向內(nèi)心流露的,但也有的安排的確讓人出戲,比如突然化身影評(píng)人那段讓女主突然變颯還點(diǎn)起了煙笑死,以及講景觀社會(huì)的時(shí)候側(cè)臉鏡頭把女主換了,都在讓觀眾意識(shí)到我這里就是要來(lái)段純commentary了,但其實(shí)更像是gimmick,感覺(jué)tonally有削弱表達(dá)。